＜p＞The longest-running film ever. The coming-of-age of Indian cinema's all-time superstar, Shah Rukh Khan. The template for what we now know as Bollywood cinema. Dilwale Dulhania Le Jayenge, playing continuously for twenty years (and counting) in a Mumbai theatre, heralded a new era in Hindi films. Heck, even Barack Obama referenced it in one of his speeches. One of the earliest contemporary Hindi films to focus on Indian residents abroad, DDLJ addressed a newly liberalized nation with its heady cocktail of European locations, flashy cars and gorgeous mansions. It was also - perhaps not quite surprisingly - a conformist film, upholding traditions of premarital chastity and family authority, affirming an essential 'Indian' identity in the face of the forces of westernization and liberalization. Critic, author and analyst Anupama Chopra's Dilwale Dulhania Le Jayenge: A Modern Classic is a deep dive into the movie, examining the making of it as well as the impact it had on popular culture and Hindi cinema. A loving tribute to an iconic film, this book is the definitive account of a Bollywood - indeed, Indian - phenomenon.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Debuting as a film-maker in 1957 with Tumsa Nahin Dekha, Nasir Husain became one of the most successful film-makers in Hindi cinema over the next twenty-five years with musical blockbusters like Phir Wohi Dil Laya Hoon, Teesri Manzil, Caravan, Yaadon Ki Baaraat and Hum Kisise Kum Naheen.This book analyses the work of Husain and how his films played an important role in shaping commercial Hindi cinema as it exists today. Through interviews with a number of prominent film personalities such as Aamir Khan, Mansoor Khan, Asha Parekh, Javed Akhtar, Karan Johar and Aditya Chopra, the book contextualizes Husain's legacy and places him as one of the important auteurs of Hindi cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In the 1980s, an unheralded Hindi movie, made on a budget of less than Rs 7 lakh, went from a quiet showing at the box office to developing a reputation as India's definitive black comedy. Some of the country's finest theatre and film talents - all at key stages in their careers - participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it. Kundan Shah's Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humours that Hindi cinema just hasn't seen enough of. This is the story of how it came to be despite incredible odds - and what it might have been. Jai Arjun Singh's take on the making of the film and its cult following is as entertaining as the film itself.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In the late nineteenth century, in a small village in northern India, a thirteen-year-old Brahmin widow meets a Muslim sarangi player and elopes with him. Many years later, their daughter Jaddanbai moves to Bombay and becomes a star of the early talkies. Chateau Marine, her home on Marine Drive, is famous for its evening mehfils and for the dreams it nurtures: regular visitors include Dilip Kumar, Mehboob and Kamal Amrohi. It is also the home of Fatima, Jaddanbai's daughter, who will set the screen ablaze as Nargis, the most accomplished actress of her time.Far removed from this world of glamour, a young boy named Balraj Dutt spends his teenage years attempting to rehabilitate himself and his family after the trauma of Partition. In 1950, at the age of twenty, he arrives in Bombay. And there his life takes an unexpected turn: he is given the lead role in a new film, and is soon on his way to becoming Sunil Dutt, the film star.Then comes the moment that transforms both their lives: on 1 March 1957, during the making of Mother India, Nargis is trapped in a circle of flames and Sunil risks his life to save her. They recuperate together, and fall in love. Nargis has been in a long but futile relationship with the mercurial Raj Kapoor, and in Sunil she finally finds an anchor. Their relationship is stormy and secretive to start with, but it survives every crisis to culminate in a quite wedding on 11 March 1958. What follows are years of togetherness, including the joys of caring three children, Sanjay, Namrata and Priya but also days of pain and heartbreak: financuial trouble, Nargis's illness, Sanjay's addiction to drugs.Based on the diaries and letters of Nargis, Sunil and their daughter Priya, as well as on conversations and interviews with family and friends, Darlingji - as they often addressed each other - is a probing yet affectionate biography of two extraordinary people and their love for each other. Travelling as it does from the nineteenth century to the present, the book tells the larger story of the evolution of Hindi cinema, and of a society and a nation in the throes of change.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Few actors in Tamil cinema have been as loved as M.N. Nambiar. Admired for his intense acting prowess, particularly his portrayals of villains, he was also revered as a guruswami (spiritual leader). Nambiarswami provides an in-depth look into his public persona and personal life, which he fastidiously kept separate from one another. From growing up in Ooty and joining the gritty world of travelling drama troupes to achieving stellar success in the Tamil film industry, this book takes the reader on an engaging journey narrated by the man himself, as told to his grandson Dipak Nambiar.The foreword by J. Jayalalithaa and stirring anecdotes from his family and industry friends make this book a fascinating portrait of the great actor who was equally adept in his roles as a hero and a villain, and widely respected as a spiritual man.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Satyajit Ray is acknowledged as one of the world's finest film-makers. His films changed the way the world looked at Indian cinema. But Ray was not only a film-maker. He was also a bestselling writer of novels and short stories, and possibly the only Indian film-maker who wrote prolifically on cinema. This book brings together, for the first time in one volume, some of his most cerebral writings on film. With the economy and precision that marked his films, Ray writes on the art and craft of cinema, pens an ode to silent cinema, discusses the problems in adapting literary works to film, pays tributes to contemporaries like Godard and Uttam Kumar, and even gives us a peek into his experiences at film festivals, both as a jury member and as a contestant. Published in association with the Society for the Preservation of Satyajit Ray Films, and including fascinating photographs by and of the master, Deep Focus not only reveals Ray's engagement with cinema but also provides an invaluable insight into the mind of a genius.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞T.M. Krishna, one of the foremost Karnatik vocalists today, begins his panoramic exploration of that tradition with a fundamental question: what is music? Taking nothing for granted and addressing diverse readers from Karnatik music's rich spectrum and beyond it, Krishna provides a path-breaking overview of south Indian classical music. He advances provocative ideas about various aspects of its practice. Central to his thinking is the concept of 'art music', the ability to achieve abstraction, as the foundational character of Karnatik music. In his explorations, he sights the visible connections and unappreciated intersections between this music form and others - Hindustani music, Bharatanatyam, fusion music and cine music - treading new, often contentious, ground. A Southern Music seeks to retrace the sources of Karnatik music even as it reflects on its self-renewing vitality today. To that end, Krishna examines a number of issues that Karnatik music must face up to: questions of gender and caste, the role of religion and of lyrics inspired by devotional sentiments, the diaspora and its relationship with 'classical' music, technology. Unquestionably the definitive book on Karnatik music.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Hindi cinema, ever since Independence, has revolved almost entirely around issues of sex and money. This may seem odd given the conservative taste of the times. But that we do not 'see' sex does not hide just how much sex there is in the cinema. As for money, a nagging theme is the impact of money - or the lack of it - on sex. Sanjay Suri argues that Hindi cinema was an unlikely offspring of the Father of the Nation - the product of Gandhi's celibacy and austerity. His heroic retreat from wealth and sexuality was written into the cinema and then elaborately filmed shot by shot. Suri draws on numerous examples - from Mother India to Do Bigha Zameen; Shree 420 to Pyaasa; Sahib, Bibi aur Ghulam to Guide; and Dilwale Dulhania Le Jayenge to Lage Raho Munnabhai - to show how cinema was made within well-defined moral fences that were built with dos and don'ts about sex and money. A Gandhian Affair is a history of India through the preoccupations of its cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞One of the two branches of Indian classical music, the Hindustani (North Indian) music tradition has evolved over thousands of years into the complex ecosystem it is today. From its movement across geographical and class boundaries, its purpose in national identity, its facilitation by governing bodies and representation in broadcast and visual media to its corporate involvement and presence in educational institutions, Chasing the Raag Dream analyses Hindustani music from multiple perspectives to trace its modern-day evolution and find possible pathways to ensure a healthier future for it.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞What does it mean to be a woman filmmaker in India? One famous director suffered from depression, unable to take on film projects because of her young child. Another was asked in an interview if she drinks and smokes to deal with the stress of filmmaking like men do. Some faced cinematographers who refused to listen to them. Almost all of them struggle to raise money for films with female protagonists. But they are also cool and sassy. One attended film-school with her two-week-old baby. Another stormed the once all-male bastion of the 200-crore club. They can make a hit film about a middle-aged housewife, as much as a bisexual teenager with a disability. F-rated brings together diverse stories of eleven women filmmakers in India: Aparna Sen, Mira Nair, Farah Khan, Meghna Gulzar, Nandita Das, Shonali Bose, Tanuja Chandra, Anjali Menon, Reema Kagti, Kiran Rao and Alankrita Srivastava. A celebration of their womanhood as much as their work - this is a must-read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞An eclectic collection of essays by the winner of the National Award Swarna Kamal for Best Film Critic 1997 With more than a thousand films produced annually in over fifteen languages India is acknowledged as the largest producer of motion pictures in the world.50 Indian Film Classics provides detailed critical accounts of the most important Indian films beginning with Prem Sanyas (1925) to Rang De Basanti (2006) in languages ranging from Bengali and Hindi to Manipuri and Malayalam and representing a whole gamut of themes: from the 1930s mythological Sant Tukaram to the politically radical Calcutta '71, from art-house favourites like Uski Roti and Mukhamukham to blockbusters like Sholay and Lagaan. These perceptive essays introduce the reader to the many moods that inform Indian cinema, the austerity of Pather Panchali, the lavishness of Hum Aapke Hain Koun...!, the solemnity of Samskara and the fun and frolic of Amar Akbar Anthony.Illustrated with rare posters and stills this is an invaluable guide to the most significant cinema India has ever produced.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞A critical introduction to the best of international film-makers in the last 50 years.. This is an acutely perceptive collection of essays defining the work of fifty film-makers of the modern era. The shape of cinema is today unrecognizable from that in the 1950s but film criticism has perhaps not kept pace with changes after 1960, when cinema became modern. The collection addresses this deficit by examining the most important directors since 1960. It includes the film-makers of the French New Wave and New German Cinema, extends its attention to earlier 'modernists' like Luis Bunuel and Robert Bresson and speculates on the significance of masters like Andrei Tarkovsky and popular film-makers like Steven Spielberg. It also encompasses a whole range of more recent cinema from Abbas Kiarostami to Bela Tarr. As befits the enormous variety in the range of cinema covered, each of the essays is strikingly different in its emphasis although they are all lucidly and engagingly written. Also included are definitive assessments of five key Indian film directors -Satyajit Ray, Ritwik Ghatak, Adoor Gopalakrishnan, G. Aravindan and Raj Kapoor.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞＜strong＞'Na' sirf ek shabd nahi ... apne aap mein pura vakya hai. Isey kisi tark, spashtikaran, explanation ya vyakhya ki jaroorat nahi hoti ... 'No' ka matlab 'no' hota hai. Usey bolne wali ladki koi parichit ho, friend ho, girlfriend ho, koi sex worker ho ya aapki apni biwi hi kyu na ho. 'No' means 'no' and when someone says 'no', you stop ...＜/strong＞＜/em＞＜/p＞ ＜p＞Seldom has a contemporary film's dialogues fired the general imagination the way Pink's did. Seldom has a film challenged 'Bollywood's popular misogynistic tropes' like Pink did. Released in September 2016, the film began to trend immediately. Over the next few months, as it became a phenomenal box-office success, it also became the subject of social and cultural debates - on the rights of women, and the justice and penal system in India. Not only did it manage to capture the zeitgeist but also established itself as a yardstick by which future films making a socio-political statement would be judged. The film became a tool for organizations to sensitize people about crimes against women. For a Hindi film to be able to do that is unheard of.Pink: The Inside Story looks at the making of the movie and tries to understand why it resonated with large sections of society. With inputs from its principal cast and crew, Gautam Chintamani tracks the journey of the film - from its inception to the writing of its numerous drafts that kept being shaped by real-life events and personal experiences of the people connected with it, to its toils to wangle a producer within 'Bollywood' as the big studios refused to come on board, and from its spot-on casting to the immediacy with which it endeared itself to its audience. Including the much-feted screenplay of the film, this is a riveting account of how one of the most important films of our times came to be made.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Path-breaking films have phenomenal behind-the-scenes stories. Read about two of the most iconic movies of our times, and combine it with the journey of the woman, as actor and character, in Hindi cinema. Jaane Bhi Do Yaaro: In the 1980s, an unheralded Hindi movie, made on a budget of less than Rs 7 lakh, went from a quiet showing at the box office to developing a reputation as India's definitive black comedy. Some of the country's finest theatre and film talents - all at key stages in their careers - participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it. Kundan Shah's Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humours that Hindi cinema just hasn't seen enough of. This is the story of how it came to be despite incredible odds - and what it might have been. Jai Arjun Singh's take on the making of the film and its cult following is as entertaining as the film itself. Gangs of Wasseypur: Running close to five hours and thirty minutes and boasting of no big stars, Gangs of Wasseypur is unlike any Hindi film you might have watched. It is also one of the most feted Hindi films of recent times in international circles. It has been spoken of as India's answer to landmark gangster films of the west, like The Godfather. In Gangs of Wasseypur: The Making of a Modern Classic, the authors go behind the scenes through its chaotic gestation to bring to life the trials and tribulations, the triumphs and ecstasies involved in following one's dream. Including the complete screenplay, the book is as much a testimony to the spirit of everyone associated with the film as it is a tribute to the intellectual honesty and indefatigable spirit of its director, Anurag Kashyap. Mother Maiden Mistress: It's been a long hundred years since Dadasaheb Phalke had to settle for a man to play the heroine in India's first feature film, Raja Harishchandra (1913) - and women in Hindi cinema have come a long way since then. Mother Maiden Mistress documents that journey: from a time in which cinema was considered a profession beneath the dignity of 'respectable' women to an era when women actors are icons and idols. Bhawana Somaaya, Jigna Kothari and Supriya Madangarli sift through six decades of history, bringing to life the women that peopled cinema and the popular imagination, and shaped fashion and culture. Contemporary readers will also find here a nuanced historical perspective - of the social milieu of the time, of the nation and of Hindi cinema itself. Also riveting are the first-person narratives of a leading actress from each decade - Waheeda Rehman, Asha Parekh, Hema Malini, Shabana Azmi, Madhuri Dixit and Rani Mukerji - all close-up examinations of how some of the iconic characters of Hindi cinema came to be. At once a guide, an archive and a cracking good read, the book records and reviews the woman in Hindi cinema - the mythical, the Sati-Savitri, the rebel, the avant-garde and the contemporary. In a journey through six decades of cinema, seemingly, the more things have changed, the more they have remained the same.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞At one level, Gulzar's Aandhi (1975) is a story of estranged love between two headstrong and individualistic personalities; at another, it is a tongue-in-cheek comment on the political scenario of the country. Through a close textual analysis of the film, this book examines in detail its stellar cast, the language and dialogues, and the evergreen songs which had a major role in making the film a commercial success. Gulzar's own insights into the making of Aandhi (from an interview) further enhances the readers' understanding of the film. Saba Bashir's book will delight those wanting to savour the duality and drama that befit life, or shall we say, cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Angoor (1982) is among the best-loved comedies in Hindi cinema. It is also a perfect example of Gulzar's genius as a writer complete with his impish wordplay. Through extensive interviews with some of the main actors in Angoor (Deepti Naval and Moushumi Chatterjee) and its earlier version - both adaptations of Shakespeare's Comedy of Errors - this book traces the evolution of a comic tale that continues to amuse audiences of all ages. It deftly peels the layers exploring how song, dialogue, silences and wordplay add to the actors' arsenal in creating humour that can range from rib-tickling mirth to guffaws.Sathya Saran's book reveals what lies behind the evergreen appeal of Angoor, with memories and anecdotes shared by Gulzar himself.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞By the time Gulzar made Ijaazat (1987), action-packed potboilers had replaced the genteel romanticism of yore, leaving few takers for a film about lost love and a broken marriage. And yet, three decades later, Ijaazat is a film that has endured. Gulzar's interpretation of a love triangle in Ijaazat - an evocative exploration of the strength and fragility of human relationships - was years ahead of its time. This book examines that interpretation to show how, thematically, the film was possibly Gulzar's most daring. It highlights how his skill as a storyteller - at once romantic and realistic - is exemplified by his complex characters. Contributing to that understanding is how the film's power also derived hugely from its sublime musical score by R.D. Burman. Drawing on Gulzar's recollections of the making of the film, Mira Hashmi''s book embraces the memory of the 'love' that for the poet wasn't always the answer, but a part of the question.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Running close to five hours and thirty minutes and boasting of no big stars, Gangs of Wasseypur is unlike any Hindi film you might have watched.It is also one of the most feted Hindi films of recent times in international circles. It has been spoken of as India's answer to landmark gangster films of the west, like The Godfather. In Gangs of Wasseypur: The Making of a Modern Classic, the authors go behind the scenes through its chaotic gestation to bring to life the trials and tribulations, the triumphs and ecstasies involved in following one's dream. Including the complete screenplay, the book is as much a testimony to the spirit of everyone associated with the film as it is a tribute to the intellectual honesty and indefatigable spirit of its director, Anurag Kashyap.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Sahir Ludhianvi is probably the only songwriter in Hindi films whose poetry was accepted in its purest form and incorporated as a film song. So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet's rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

著者： Dan Haerle出版社：Alfred Pub Coサイズ：ペーパーバックISBN-10：1562242911ISBN-13：9781562242916■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　出荷まで48時間かかる場合があります。あらかじめご了承ください。 ■1冊から送料無料です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の傷みがある場合があります。基本的に付録・付属品等付いていない状態です。

著者： Alan Menken出版社：Hal Leonard Corpサイズ：ペーパーバックISBN-10：1495094561ISBN-13：9781495094569■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者： Alan Menken出版社：Hal Leonard Corpサイズ：ペーパーバックISBN-10：1495094561ISBN-13：9781495094569■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで72時間かかる場合があります。あらかじめご了承ください。■宅配便(送料398円)にて出荷致します。合計3980円以上は送料無料。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者： Alan Menken出版社：Hal Leonard Corpサイズ：ペーパーバックISBN-10：1495094561ISBN-13：9781495094569■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで48時間かかる場合があります。あらかじめご了承ください。 ■メール便は、1冊から送料無料です。※宅配便の場合、2,500円以上送料無料です。※あす楽ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。※配送番号付きのゆうパケットをご希望の場合は、追跡可能メール便（送料210円）をご選択ください。■ただいま、オリジナルカレンダーをプレゼントしております。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

＜p＞Learn to do magic from one of India's most thrilling performers.Magic is about the ability to convince. It is about performance. You don't fool your audience, you amaze and entertain them. Nakul Shenoy, mind reader and internationally successful magician, can teach you how.Smart Course in Magic is a simple and effective off-the-shelf course that teaches the craft as it should be: focusing on the theory of performance and presentation. Whether you want to take up magic as a hobby or improve your skills as a professional performer, this is the book to set you on your way.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Everyone knows about the Ramsays - even those who have never watched a Ramsay film. But who were they really? Where did they come from? Why did they make the films they did? And how? How, really, did they pull it off? In India, the Ramsay name remains synonymous with horror movies. Still, all these decades later.Don't Disturb the Dead is the story of their cinema, their methods and madnesses, the people and the processes, arguments and agreements, about horror cinema as a business model, and more. It is also an open-minded and affectionate ode to the 'disreputable' Ramsay films, and to a family that was once a genre in itself, one whose contribution to cinema deserves to be recognized.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Soumendu Roy today is widely known for his long association with Satyajit Ray. He was Ray's cinematographer for a generation of films that is celebrated the world around even now. Witness to a great genius, Roy also carved a niche for himself in his own right, working with other stalwarts of Bengali cinema like Tapan Sinha and Buddhadeb Dasgupta, among others. Through the Eyes of a Cinematographer is the behind-the-scenes story of one of the finest cameramen India has known, his childhood experiences, his love of the 'moving picture', the many intricacies of film-making, and the painstaking toil and unexpected turn of luck that are required in equal measure to succeed. This book is a must-read for all film aficionados.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Raj Kapoor, the creator of some of Hindi cinema's most enduring classics, is one of the greatest film-makers India has ever produced. As producer, director, actor, editor, storyteller, he blazed a trail for subsequent generations of film-makers to follow and aspire to. He was also known to the world as an extraordinary and controversial showman, an entertainer par excellence, someone who created the template for Hindi cinema.Raj Kapoor: The One and Only Showman is a unique experiment, both an autobiography and a biography. While the autobiography uses his own words, culled from interviews, journals and anecdotes, to provide an intimate glimpse into the mind of a genius, the biography is an attempt to record for posterity the lesser-known facets of his magnificent personality through the recollections of his family, colleagues and friends. As revealing as it is engaging, this is a fascinating portrait of the man regarded as the last of the true movie moguls of Indian cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞For those who know their Indian cinema, Shatranj Ke Khilari is film-maker Satyajit Ray's only feature film in Hindi/Urdu and also his most expensive film, employing lavish stage design and stars of both Mumbai and Western cinema. A period piece set in nineteenth-century Lucknow, capital of the state of Oudh, the film revolves around the court of the flamboyant artist-king Wajid Ali Shah against the backdrop of the East India Company's avaricious annexation of Oudh in 1856.Jindal, Ray's young and artistically committed producer of Shatranj Ke Khilari, looks back on the gripping story of how Ray came to direct the film despite his unequivocal declaration that he would never write and direct a film that was not in Bengali. Quoting extensively from Ray's fascinating unpublished letters to Jindal, it evokes the driving passion, original historical research and trademark devotion to detail that Ray brought to every aspect of the production.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Representations of women in Indian cinema are often warped and twisted. They are subjected to a series of gazes - voyeuristic, investigative and titillating. The controlling look is always with the male. One film-maker who consistently steered clear of this right through his career was Satyajit Ray. None of Ray's women on celluloid can be reduced to a cliche. They defy every imaginable stereotyping. This is particularly true of the women in his adaptations of Tagore's stories. Woman at the Window attempts a completely new way of looking at Ray's films in general, and his films adapted from Tagore in particular, through contextualizing the women by objects they are surrounded by or are fond of, or are habituated to using or learning to use over time. What emerges is a one-of-its-kind book, indeed the first comprehensive study of this kind on the cinema of Ray which offers a greater understanding of the differences, or the absence thereof, between Tagore's original stories and Ray's celluloid readings of these stories, as also fascinating material for gender studies students, researchers, academics and scholars writing on cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Representations of women in Indian cinema are often warped and twisted. They are subjected to a series of gazes - voyeuristic, investigative and titillating. The controlling look is always with the male. One film-maker who consistently steered clear of this right through his career was Satyajit Ray. None of Ray's women on celluloid can be reduced to a cliche. They defy every imaginable stereotyping. This is particularly true of the women in his adaptations of Tagore's stories. Woman at the Window attempts a completely new way of looking at Ray's films in general, and his films adapted from Tagore in particular, through contextualizing the women by objects they are surrounded by or are fond of, or are habituated to using or learning to use over time. What emerges is a one-of-its-kind book, indeed the first comprehensive study of this kind on the cinema of Ray which offers a greater understanding of the differences, or the absence thereof, between Tagore's original stories and Ray's celluloid readings of these stories, as also fascinating material for gender studies students, researchers, academics and scholars writing on cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。